Utställningarna är öppna tors 11–19, fre 11–16, lör–sön 11–17. Just nu visar vi en retrospektiv med Mariannne Lindberg De Geer och öppen studio med Very Very Gold.

Färgfabrikens kafé har öppet tis-sön 11-16.

 

Transpositions

Recovering Data Remains: (Re)Working Knowledge

- Seeking an Any Thing from an uncertain time in the ruins of Rejmyre’s future - Daniel Peltz
- All that is data melts into air – Tina O’Connell/Neal White

 

Program at Färgfabriken:
- October 4, 19:00-22:00: Recovering Data Remains: (Re)Working Knowledge. 20.00-22-00: Daniel Peltz and Ioana Jucan, Opening performance
- October 5-8: Exhibition
- October 6: 10:00-11:30:  Seminar/artist talk; Recovering Data Remains: (Re)Working Knowledge, Daniel Peltz and Tina O’Connell / Neal White, Discussion

Recovering Data Remains: (Re)Working Knowledge gathers, in the space of Färgfabriken, two separate works by Daniel Peltz (SE/USA) and Tina O’Connell/Neal White (IE/UK) that “mine,” perform, and reconstitute multilayered archives and histories. The pieces use different media and approaches (installation, sculpture, performance) to critically and philosophically explore data and its temporality through practices of recovery of lost works and objects. Shifting scales and research frameworks through these practices, the pieces extend scientific methodologies under the heading of “artistic research,” while also asking: What kinds of knowledge and ways of knowing may “artistic research” create or enable and what would it mean to call these kinds of knowledge "scientific”?

Daniel Peltz

Daniel Peltz

Daniel Peltz

Seeking An Any Thing From An Uncertain Time In The Ruins Of Rejmyres Future

Peltz performatively inhabits the exhibition space with an installation containing remains from the archives of two different artistic research projects he initiated and led in remote industrial towns become tourist sites.

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Tina O’Connell/Neal White

Tina O’Connell/Neal White

Tina O’Connell/Neal White

All that is Data Melts into Air

O’Connell and White’s sculpture + installation piece grows out of an ongoing artistic research project which combines their interests in both material practices/sculptural and architectural language, and in the spaces of experimental inquiry in science and art.

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Transpositions

Transpositions

From Science to art (and back)

The final event of the research project

Science and art are usually held distinct due to the different kinds of processes they employ and the character of the conclusions that they draw. However, what if artists were to extend scientific methodologies while radicalising their stance in post-conceptual art under the heading ‘artistic research’? How can scientific data be pushed to the limits of representation?

The program at Färgfabriken is part of a concluding program for the Transpositions project, bringing concepts, data, artworks, and people together for a three-day set of events spread across Stockholm. It offers numerous opportunities to engage with transpositions in exhibitions, installations, performances, presentations, and discussions.

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Tid & Plats

Färgfabriken, takvåningen

4 oktober kl 19-22: Vernissage! Performance kl 20-21. Fri entré.
Utställningen visas 5-8 oktober under konsthallens vanliga öppettider och ingår i entrépriset.
6 okt kl 10-11.30: seminarium/konstnärssamtal.

Det övergripande programmet pågår på olika platser i Stockholm 4-6 oktober 2017.
Biljetter till detta program kan köpas här.
Hela programmet hålls på engelska.

Kontakt

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Projektets hemsida

Transpositions


Om Transpositions

The overall project Transpositions is a cooperation between the University of Music and Performing Arts Graz and the University of Applied Arts Vienna and is funded by the Austrian Science Fund (PEEK AR 257).

Transpositions: From science to art (and back) is the final research event of the project, taking place in Stockholm 

The Exhibition at Färgfabriken:
Recovering Data Remains: (Re)Working Knowledge
constitutes a contribution to the final research event for the Transpositions project  From science to art (and back).

Recovering Data Remains: (Re)Working Knowledge is made possible by support from the project Transpositions: Artist Data Exploration research project led by Gerhard Eckel, Michael Schwab, David Pirrò.


Samarbetspartners

Royal College of Music

Royal Institute of Art

Royal Institute of Technology

Färgfabriken

Audiorama

University of Music and Performing Arts Graz

University of Applied Arts Vienna